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1985年,北京人民艺术剧院在首都公演高行健编剧、林兆华导演的话剧《野人》。这出从思想内涵到表现形式都不乏探索尝试性质的戏剧,在观众中引起了不同的反响,在戏剧理论界亦可谓毁誉参半。作为一部“多声部现代史诗剧”,《野人》“本土化”的“史诗剧”艺术样式掩盖不了其“史诗性”的缺失,从而窥见高行健“完全的戏剧”理论的负面效应之一,即对戏剧文学优良传统的摈弃。。Tae-gyu and Ji-hye get married. Two young lovers dreamed of the ideal married life which each had respect for each other. But honeymoon is soon over as each comes to realize that the other isn't quite what they thought. The liberal woman would like to talk of sex with frankness and ease. The conservative man can't get rid of his traditional sense of superiority. They end up hur...。